Pony Thought of the Day: Hasbro’s Winter Upfront

Hasbro has released their winter upfront, which promotes upcoming shows to try to drum up advertiser interest. Interestingly, there’s no mention of a movie or Equestria Girls in it, which suggests a few possibilities:

  • The movie is going to be a theatrical release. (Yeah, right)
  • The movie and/or Equestria Girls were never going to happen.
  • The movie and/or Equestria Girls were going to happen, but have been canceled for whatever reason.
  • The movie and/or Equestria Girls are still going to happen, but later than expected.

Either way, good news for those of us who weren’t enthused about Equestria Girls: It’s either not happening or going to be worked on more before it happens.

Pony Thought of the Day: Not a Character Collapse

The inversions of the ponies’ Elements of Harmony in “The Return of Harmony” doesn’t count as character collapse. That inversion is the result of an outside force, while in a character collapse the character does it to themselves in response to a crisis. A subtle distinction, but important, since a true character collapse provides a greater level of insight into the character.

Pony Thought of the Day: Character Collapse for (Almost) Everyone!

Each of the Mane Six except Rarity has had a character collapse at this point–that is, an episode where extreme circumstances lead the character to invert their own usual role on the show, revealing inner contradictions or hidden deaths.

Applejack had hers first in “Applebucking Season.” Exhaustion caused the normally dependable pony to become a danger.

Pinkie Pie’s is “Party of One.” Apparent abandonment leads the happy-go-lucky party pony to turn depressive, paranoid, and delusional.

Twilight’s is “Lesson Zero.” The stress of imminent failure makes the town’s best organizer into a force of chaos.

Rainbow Dash’s is “Read It and Weep.” Forced to sit still for a while, the bluntly realistic pony immerses herself in fantasy.

Finally, Fluttershy’s is “Putting Your Hoof Down.” As a result of assertiveness training, the kindest and most timid of ponies flips over into cruelty and pettiness.

Rarity has come close a few times, but never had a true character collapse–which suggests she’s next.

Pony Thought of the Day: Pirate Ponies!

I saw a pic of Applejack as a pirate recently, and while it was a pretty cool pick, I just can’t see her doing it. She strikes me as the least nautical of the Mane Six; she probably gets seasick, and she’d certainly never plunder or pillage anything.

My pick for best pirate of the Mane Six, and the one who’d take to the lifestyle easiest, is Rainbow Dash, hands down.

What do you think?

Pony Thought of the Day: Three little words, and then three more

There are six words I want to see spoken at the end of an episode next season. Six words that, in my opinion, will make the whole Twilicorn thing (which I never had much problem with anyway) completely worth it.

Six words, spoken by Celestia, the last six words of the episode: “Dear Princess Twilight, today I learned…”

Also, since it went up late, here’s a link to yesterday’s episode article.

Twilight Sparkle. I mean seriously, I can’t even work with that. (Owl’s Well That Ends Well)

Spike’s true colors revealed!

It’s April 22, 2011. The top song is still “E.T.,” and the top movie is still “Rio.” In real news, there’s not much going on: Government crackdowns on the Arab Spring protests are getting more violent, Anne Robinson leaves The Weakest Link, leading to its cancellation, and Apple and Google are revealed to be keeping a massive database (presumably called Skynet) tracking the movements of smartphone owners.

In ponies, Cindy Morrow gives us a predictably mediocre outing with “Owl’s Well That Ends Well.” The episode has some good laughs, an extremely annoying running gag, and a creepily adorable new pet for Twilight.Unfortunately, it’s also heavily focused on Spike, who is at his absolute jerkiest until second season’s “Secret of My Excess,” and while it does a fairly good job of making his behavior laughable and pathetic, there are a couple of odd missteps.

Spike’s jerkassery in this episode is most definitely a play on the Nice Guy Syndrome he was displaying in “Dog and Pony Show.” As I mentioned in that article, Spike is stuck on a transactional model of relationships: he is “nice” (that is, subservient and self-effacing) to a pony, and expects affection and companionship in return. It’s a simple exchange that has the slight flaws of being incredibly passive, easily prone to turning passive-aggressive, and not remotely resembling how real relationships actually work. The advantage for the “Nice Guy” (who should never be confused for a genuinely nice person, but always is in both his own mind and mass media) is that since he never expresses what he actually wants, he never has to deal with being rejected.

The typical progression of Nice Guy Syndrome is cyclical. Its early stages are that transactional relationship; the self-described “Nice Guy” awkwardly and uncomfortably latches onto a woman, continually offering gifts, services, and emotional support, as opposed to taking an honest approach which might allow her agency and thereby risk rejection.. The woman may be aware of how strange this all is, and respond with statements of gratitude but underlying discomfort, or she may think the “Nice Guy” is being genuinely nice and treat him as a good friend, unaware that he has an underlying ulterior motive. Eventually, the woman starts dating someone. Since the “Nice Guy” cannot handle the notion that women has agency, because that in turn implies the possibility of rejection, he cannot deal with the notion that the woman is capable of making good decisions for herself, and therefore concludes that this new person must be a jerk. Any behavior which is less than entirely passive and submissive is taken as evidence of jerkiness. Eventually, the “Nice Guy”–possibly based on repetitions of this cycle or evidence from talking to “Nice Guy” friends–concludes that “women only date jerks” and becomes increasingly bitter and more vocally misogynistic. At this point, they can either grow up and stop being weaselly little passive-aggressive jerks, or they can start throwing money at “pick-up artist” scams and become even more bitter and misogynistic. Sadly, most choose the latter.

“Owl’s Well That Ends Well” depicts the point in Spike’s cycle where the object of his poorly expressed affections brings a new man into her life, the point where his self-centered and idiotic approach to relationships hits inevitable failure. Twilight becomes close to a new male character, Owlowiscious, and Spike’s fragile Nice Guy ego immediately concludes Owlowiscious is somehow evil. The episode mostly does a good job of showing how the exact same behavior is viewed as harmless or neutral by Twilight Sparkle, but menacing and untrustworthy from Spike’s, and to that end here’s a new My Little Po-Mo vlog showcasing the different points of view.

Unfortunately the scene at the end of the vlog suggests that there is at least some objectivity to Owlowiscious’ menace, a suggestion which has no support in the three seasons of the show so far (indeed, after this episode Owlowiscious’ appearances can be numbered on one hand). That suggestion of objectivity weakens the depiction, but to an extent that’s made up for by Spike cavorting in a mustache, cape, and top hat, making it abundantly clear who the villain of this scenario is. (It’s hard to see what other purpose that costume could serve; his retrieval of it is framed like a joke, but it’s not actually funny, and endures for several shots too long to be just for that attempt at a gag.)

Regardless of that one moment, it’s pretty clear that Owlowiscious is a problem only in Spike’s mind. Spike never considers whether Twilight Sparkle might be capable of making her own informed decisions about who to relate with; he projects his own insecurities regarding his position as her assistant and friend into a scenario of being her protector, much as he fantasized about unnecessarily rescuing Rarity in “Dog and Pony Show.” White Knight-ism and Nice Guy Syndrome are frequently closely intertwined, so it’s no surprise he concocts a way to reframe his possessiveness of Twilight as a need to “prove” to her that she’s making a mistake in regards to Owlowiscious’ character.

At no point does Spike consider talking to Twilight. He could, in theory, just tell her how he sees their relationship. He could tell her about the fears that Owlowiscious provokes, reveal his insecurity, and be reassured and comforted. He will never do this, however. The reason he tells himself is that it’s a “burden” on Twilight, because he likes to envision himself as supporting and protecting her, and sees the support-for-affection and service-for-gratitude relationships as flowing in only one direction. The real reason, however, is simply that he lacks the courage to make himself vulnerable. There is a chance that Twilight might respond in a way that he finds hurtful, or reject him, and he is too fearful of that possibility to risk it.

The result is that he utterly denies that Twilight has any agency in this situation. He does not permit her to make any informed choices about her relationship with Spike, because he doesn’t want her to have the power to hurt him. In so doing he sets himself up to forget that she has her own unique interior life, her own needs and wishes and feelings, and tries to engineer situations that force her feelings about Owlowiscious to match his own. In short, he aggressively denies Lesson Zero, and then acts surprised when, on figuring out that he’s doing this, Twilight responds with anger and confusion.

As she herself says, in this episode Spike isn’t the person Twilight thought she knows and loves. That’s because Spike’s transactional model is (as any transactional model must be) highly conditional. If Twilight doesn’t keep up her end of the bargain she never made and doesn’t know about, then in Spike’s mind the deal is off and Spike’s behavior drastically changes. Unfortunately, while a new unstated bargain forms at the end of the episode, there’s little evidence that Spike has learned the underlying lesson, which is the same lesson the series has been repeating for a few episodes now: Relationships require openness and honesty. Don’t assume you know how others feel, and don’t presume to dictate how they “should” feel.

The series is continuing to build up to something, a realization that is still a few episodes away and in another season, but we can see the shape of it now. There is something underlying all friendships, all healthy relationships with other people. Something without which kindness, generosity, honesty, loyalty, laughter, and friendship become twisted parodies of themselves, and that something has to do with recognizing the interiority of others.

The groundwork is laid for what may be the best and most important episode of the entire series. But to get there will require challenging the structure and premise of the show itself, and in the logic of television, that requires a season break. We must therefore put it aside for a little while, knowing that sooner or later, it must be addressed.

Next week: The ablation of Ms. Pinkamena Diane Pie.

Pony Thought of the Day: Negativity and Butthurt

The following is a list of negative comments I’ve made on this blog, according to the degree of butthurt I’ve gotten in response. Please note that this does not mean EVERY response I’ve gotten has been butthurt, just a measure of how butthurt the butthurt people were. Some of the responses were in comments on this blog, but most were in message board or reddit threads linking to this blog, or made to me in person at conventions.

Saying that Zecora is a racist caricature: Minor butthurt.
Repeatedly pointing out Amy Keating Rogers’ serious flaws as a writer: Minor butthurt.
Mentioning the Geek Social Fallacies at all: Some butthurt.
Jokingly claiming that being mean to Fluttershy is an irredeemable sin: Surprisingly, some butthurt.
Calling for a Hasbro boycott: 50/50 mix of butthurt and reasoned disagreement.
Saying I’m worried Equestria Girls will not be very good: Serious butthurt.
Calling Spike a jerk: SO MUCH BUTTHURT

Pony Thought of the Day: Cutie Mark Switcheroo, Part Two

Given that who got which cutie mark in “Magical Mystery Cure” was pretty much certain, the order in which Twilight helps them is set, too. Each pony is freed by their willingness to go against their destiny and try something alien to help a close friend, and whoever is last needs to help someone outside the Mane Six. I guess some of the big sister relationships would work for that, but the show’s is about friendship, rather than family, so really what’s needed is for the last pony to have friends other than the Mane Six–which pretty much means Pinkie Pie.

Pony Thought of the Day: Cutie Mark Switcheroo, Part One

“Magical Mystery Cure” picked exactly the right ponies to get each cutie mark. Each one basically got their worst nightmare.

Rarity has to spend her life working on something that has no permanent results, a chaotic system to which she cannot bring order, and which pretty much always has to be done the same way–interesting weather is pretty much definitionally bad weather.

Applejack has to spend her life creating fru-fru things that are always different, no repetitive chores, and all of it done in the isolation necessary to art, away from her family.

Pinkie Pie is back on the farm, doing a never-ending stream of chores. It’s like a return to her much-hated childhood.

Fluttershy has to get up in front of crowds of people and expose herself to their judgment. If she fails, they dislike her, if she succeeds, they laugh at her; a perfect lose-lose for her.

Rainbow Dash has to stay in one spot, doing a job that requires gentleness and care, where the center of attention must always be on the animals, never her.